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350: This Week: Alexander, 61*, Black Hawk Down, The Social Network

BOATS THIS WEEK (SEP 30-OCT 6, 2024) — Thousands of years ago this week, Alexander the Great fought his final decisive battle against Darius III so we’ll start our journey by comparing the true story of Gaugamela with the battle in 2004’s Colin Farrell movie. Then we’ll hop onto the baseball field because tomorrow, October 1st, 1961, is when Roger Maris broke Babe Ruth’s MLB home run record. We’ll learn about the Billy Crystal-directed movie called 61* (we’ll learn about the * in the movie’s title in the episode).

For our third event from this week in history according to the movies, we’ll learn about the Battle of Mogadishu—or, as it’s commonly called, the Black Hawk Down Incident. That happened on Thursday this week, October 3rd, 1993. Then, after a few historical birthdays from this week in history, we’ll wrap up today’s episode by comparing history with 2010’s The Social Network.

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Transcript

Note: This transcript is automatically generated. Expect errors. Reference use only.

September 30th, 331 BCE. Persia.

We’ll start this week by going back into ancient history from the 2004 Alexander movie.

Just a few minutes into the beginning of the movie we’ll find an event from this week in history as the camera pans across the desert. There are a few clouds in the sky, but it’s hardly a blue sky—more of a hazy mix of gray and an orange that, along with the sand in front of us, makes for a very one-colored landscape.

There’s some text on the screen telling us we’re in Gaugamela, Persia. That’s in modern-day Iraqi Kurdistan.

As we see a man on a horse, another man’s voice is narrating the story. He says it was mad. 40,000 of us against hundreds of thousands of them under Darius. East and West had come together to decide the fate of the known world.

That night, the soldiers camp in the desert. Collin Ferrell’s version of Alexander the Great looks at the moon along with Jared Leto’s character, Hephaestion. He says the moon is a bad omen, to which Alexander says it’s a bad omen for Darius.

They go on, talking a bit more about the battle to come before Alexander goes to his tent while Hephaestion walks off.

The next day, the sun is bright in the sky. We see scores of soldiers marching. The camera cuts between Alexander offering up a cow as a sacrifice and the feet of scores of marching soldiers. Dust gets kicked up as they’re marching. Immediately above the soldiers, the sky is darkened with the lines of long spears carried by the soldiers.

After the sacrifice is made, Alexander jumps on his horse and the camera flies into the sky for an overhead view. Among the sand in the desert, the soldiers are too many to count. The lines of soldiers we can see quickly fade into the dust and sand being kicked up as the men are marching. The battle is about to begin.

The true story behind that scene in the movie Alexander

In the show notes I’ll have a link to the deep dive that we did back on episode #157 of Based on a True Story for the entire movie, but for this week’s event, I actually backed up a day to September 30th because what we just watched in the movie are the events leading up to the Battle of Gaugamela that happened on October 1st, 331 BCE when Alexander the Great defeated Darius III of Persia.

The movie’s mention of 40,000 men against hundreds of thousands is a generalization, but it’s close enough. In the true story, Alexander had 47,000 soldiers under his command while Darius had anywhere from 50,000 to over a million soldiers.

As you can imagine, that’s a huge discrepancy in the numbers. But I guess that’s something that can happen about an event that took place thousands of years ago.

And to be fair, most historians today dispute there being over a million soldiers—that comes from some ancient sources. For example, a Greek historian who lived at the time, Arrian, estimated 40,000 cavalry and 1,000,000 infantry for the Persians. Another ancient historian estimated 800,000 infantry and 200,000 cavalry. Another estimated just 1,000,000 troops without breaking them down into cavalry and infantry. Yet another said 45,000 cavalry and only 200,000 infantry.

Only.

200,000 is still a huge army for a battle. But, you get the point of how conflicting accounts make it difficult to know exactly how many were there. Generally, modern estimates range between 50,000 and 120,000 soldiers altogether for the Persians.

On the Greek side, most historians agree the army under the command of Alexander the Great was about 47,000. There seems to be less dispute about that, but anyway you look at it, the Greeks were outnumbered.

Perhaps that’s one reason why the battle is something we still talk about to this day.

Times were different in 331 BCE, and both Darius and Alexander themselves led the attack with their soldiers. After some intense fighting, the decisive blow took place when Alexander charged with a giant wedge of soldiers against the Persian infantry. They managed to weaken the Persian center where Darius was located.

Remember the name Arrian that I mentioned a moment ago? Arrian was a Greek historian who lived from around 86 to around 160 CE, so he wasn’t alive during 331 BCE when the battle was—but, of course, he was still closer to the events than we are today. Arrian’s book called The Anabasis of Alexander is one of the best sources we have about Alexander the Great.

Here’s a quote from Arrian about the turning point in the Battle of Gaugamela:

For a short time there ensued a hand-to-hand fight; but when the Macedonian cavalry, commanded by Alexander himself, pressed on vigorously, thrusting themselves against the Persians and striking their faces with their spears, and when the Macedonian phalanx in dense array and bristling with long pikes had also made an attack upon them, all things together appeared full of terror to Darius, who had already long been in a state of fear, so that he was the first to turn and flee.

By the end of October 1st, Alexander won what many consider one of his finest and most decisive victories in the face of overwhelming odds. On the other side, the Persian King Darius III did manage to escape on horseback, but it was considered to be the beginning of the end for the First Persian Empire, which later fell completely to the Greeks and Alexander the Great.

 

October 1st, 1961. New York.

Our next event happened on Tuesday this week, and we’ll find it about an hour and 52 minutes into the made-for-TV movie called 61*.

We’re on a baseball field. The camera dollies down just behind home plate, so we can see a perfect angle of the batter, catcher, and umpire on the right side of the camera frame. On the left side, the pitcher stands on the mound. In the distance behind them is the crowd in the stands.

At the plate is number 9, and we can see from the uniform he’s on the New York Yankees. After a few moments, he gets into position in the batter’s box. The pitcher, wearing a Boston Red Sox away uniform, nods to the catcher the approval of the next pitch. Then, he winds, and throws.

The batter swings. We can hear the crack of the bat as the ball goes soaring into right field. The announcer is excited. It’s going back, back…the camera cuts to the crowd in the outfield looking up. The outfielder races to the fence, tracking the ball. He gets to the wall just in time to see the ball land a few rows into the stands.

And the crowd goes wild!

The true story behind that scene in the movie 61*

That short sequence in the movie is a depiction of Roger Maris hitting his 61st home run of the 1961 season, breaking Babe Ruth’s record that he had set in 1927. We’ll learn more about that and the movie’s title in a moment, but before we do that, let’s do our fact-check of the movie because it is correct to show Maris hitting his 61st homer off the Red Sox, but there’s more to the story that we don’t see there.

It was the final game of the 1961 season when the New York Yankees were playing their rivals, the Boston Red Sox. On the mound for the Red Sox was a rookie starter by the name of Tracy Stallard. Technically, Stallard had his major league debut the year prior in 1960, but he only had four appearances that year, so he qualified as a rookie in 1961.

That day, Stallard managed to get Roger Maris to pop out to left field during his first at bat. That was in the first inning. Maris came to bat again in the fourth. On a 2-0 pitch, Maris hit a fastball into the right field stands for his 61st home run.

Oh, I mentioned the asterisk in the movie’s title of 61*. The reason for that is because in 1961, the American League expanded with the Los Angeles Angels and Washington Senators joining the league—the previous Washington Senators moved to Minneapolis after the 1960 season to become the Minnesota Twins. With more teams in the league, they decided to change the number of games played from 154 to 162. 1961 was the first year the American League did that, the National League didn’t follow with the 162-game season until the following year, 1962.

So, when Roger Maris was on his record-setting season in 1961, baseball was in the midst of a lot of changes. Not only the expanded number of games, but with new teams in the league that meant there were a lot of players in the majors who had just been called up from the minors.

In other words, a lot of people felt the teams were not quite as good as they had been just a year prior with 50 more players added to the league in the two brand-new expansion teams.

And, in a nutshell, that’s why the asterisk is on Maris’ record. Babe Ruth hit 60 home runs in 154 games. In 154 games of the 1961 season, Roger Maris had 59 home runs. It wasn’t until the final game of the 162-game season for Roger Maris to hit his 61st home run. Since it took Maris more games to break the record, a lot of people questioned whether or not the record was a legitimate record.

More specifically, it was a New York sportswriter named Dick Young who suggested the asterisk. Officially, the Commissioner of Baseball removed any asterisk from Maris’ record in 1991, but whether or not there’s an asterisk is still something many people debate today, due in large part to the 1998 season. That’s when Mark McGwire and Sammy Sosa both broke Maris’ record with Sosa hitting 66 home runs and McGwire hitting 70 home runs. That record would then be broken three years later when Barry Bonds hit 73 home runs in the 2001 season. None of those three players, Sammy Sosa, Mark McGwire, and Barry Bonds, have been inducted into the Major League Baseball Hall of Fame because of their alleged use of PEDs.

So, that started to bring up Maris’ record again because if he had the asterisk in his, should Sosa, McGwire and/or Bonds have one? For some baseball fans, the debate continues to this day.

As a little side note, it’s worth pointing out that Maris’ record of 61 home runs was still the most by a New York Yankee until Aaron Judge hit 62 in 2022.

If you want to watch the event that happened this week in history, though, check out the 2001 movie called 61*. Roger Maris’ at-bat with the 61st home run starts at about an hour and 52 minutes into the movie.

Oh, and since I mentioned Babe Ruth, I’d be remiss if I didn’t point out that it was also this week in history when Babe Ruth’s called shot took place. That was on October 1st, 1932.

The New York Yankees were playing the Chicago Cubs at Wrigley Field for game three of the World Series when things got to be pretty chippy on the field with players on both sides doing their fair share of name-calling. When Babe Ruth came to bat in the fifth inning, he made a gesture that looks like he was pointing to the center field bleachers. Then, sure enough, he hit a home run right to those center field bleachers.

Was he calling his shot? This is another thing that’s up for debate. Some people say that’s exactly what he was doing. Footage of the event that you can find online certainly looks like that could be what he’s doing. But, again, it’s footage from 1932 so not quite the high-definition footage we have today. Some say he wasn’t calling his shot but simply gesturing his bat toward fans or other players or something else.

Regardless of what you believe, no one can deny that Babe Ruth calling his shot is an event that has gone down in sports history, and it happened this week.

Oh, and to bring it back to movies, there is a scene about 11 minutes into the 1984 movie The Natural where a nicknamed “The Whammer” that’s supposed to be kind of like Babe Ruth called his shot in a contest between himself and the star of the movie, Robert Redford’s character, Roy Hobbs.

Of course, that happens in a contest at a fair and not the World Series. “The Whammer” may have been based on Babe Ruth, but he’s a fictional character. Just like Roy Hobbs is a fictional character. So, that scene may only be inspired by a true story, but it’s enough of a reason to watch The Natural if you’re looking for more baseball movies to watch this week!

The last baseball movie I’d recommend is a documentary, not a fictional movie. It’s called Say Hey, Willie Mays! from HBO and as you can probably guess it’s all about Willie Mays. I’m throwing that into the baseball recommendation this week because it was actually last week in history when Willie Mays made what we now know simply as “The Catch.”

That happened during game one of the World Series on September 29th, 1954. With the score tied 2-2 in the 8th inning, Vic Wertz of the Cleveland Indians hit a fly ball to deep center field. It traveled some 420 feet or so, that’s about 130 meters, before Willie Mays made an over-the-shoulder catch while sprinting from where he had been positioned in shallow center field. In a single motion, he caught the ball, spun around and threw the ball back to the infield preventing any runners from advancing. It was such an amazing play that it’s been regarded as one of the greatest plays in sports.

So, hop in the show notes for lots of great baseball movies from this week in history!

 

October 3, 1993. Mogadishu, Somalia.

Our third event falls on Thursday this week, and we’ll find it about 43 minutes into the movie called Black Hawk Down as we find ourselves in the middle of Mogadishu, Somalia. There’s dirt street lined with buildings on either side. Driving down the street is a line of American Humvees, each vehicle is equipped with a machine gun at the top and manned by a soldier in full uniform. As they move forward, people in the streets start running the opposite direction as the Humvees. Whatever is about to go down, these civilians don’t want to get involved and I don’t blame them.

The camera changes angles now and we’re transported to the helicopters flying over the city, offering air support to the Humvees below. It looks like there are four helicopters, each of them loaded full of American soldiers so much so they we can see them sitting partially hanging out the open doors on either side of the helicopters.

Down on the ground, we’re inside a local resident’s car now. He watches as the four helicopters touch down in a line on the street. As the helicopters touch down, the soldiers jump out with their weapons ready. Another helicopter touches down on the top of a nearby building, the soldiers inside hopping out to get an overhead view of the street.

Almost immediately, these soldiers open fire on armed men across the way on another building. The four helicopters lift back off, leaving the soldiers on the ground. Or, well, some on the rooftops, as I just mentioned, but you know what I mean—they’re not on the helicopters anymore.

The camera angle shows us the helicopters leaving and then behind them we can see three more larger helicopters arriving.

But we don’t see much more of that yet as the camera changes again, following some of the soldiers who are entering one of the buildings. Weapons hot, they open fire on people inside. We can’t even see who they are before the soldiers shoot them, although it looks like they’re carrying weapons.

Back outside, the three larger military helicopters are taking up a triangle sort of positioning around a single building. On that building is the word “Olympic.”

These helicopters don’t touch down, but instead, they’re hovering low to the ground as ropes are thrown out either side. By this point, the blades on the helicopters have kicked up so much dirt and dust from the streets below that the normally blue sky has a tint of orange to it as we see from ground level the American soldiers rappel from the ropes.

Back with the Humvees, that line stops now. It’s hard to tell where they’re located from what we’re seeing in the movie. Quickly the movie cuts to another scene of American soldiers kicking in a door. Inside, a bunch of men put their hands up at the sight of the soldiers pointing their rifles at them.

There is someone firing at the Americans, forcing them to take cover.

One of the soldiers from the Humvees looks around the corner to see a helicopter hovering in the street with more American soldiers rappelling down the ropes. So, I guess the Humvees must be just around the corner from the helicopters by the “Olympic” building.

The four smaller helicopters from earlier aren’t anywhere to be seen, and now the three larger helicopters are flying away, too. Except they’re not going far. We can hear what must be the pilots talking to each other, talking about how chalk’s on the ground, so now they’re going to go into a holding pattern to provide sniper cover from the air.

Down below, things are getting more intense as a truck filled with armed men shows up and begins firing back at the American soldiers on the ground. Among the machine gun and rifles, we can see some of the men running up the stairs to a rooftop carrying rocket-propelled grenades: RPGs.

Back inside one of the helicopters, a soldier sees the RPG coming right at them. The pilot manages to move the helicopter out of the way just in time. A soldier on the ropes who was rappelling to the ground loses his grip and falls to the ground—we can’t see him hit because there’s so much dirt being kicked up by the helicopters that he just falls into the abyss.

Another soldier hops out to help his fallen comrade. The soldier who fell isn’t moving. The Americans and Somalis continue shooting at each other. After a while, the action shifts and we can hear the soldiers talking about as it’s time for extraction. We can see some men who seem to be prisoners from one of the rooms the soldiers burst into being guarded as they walk back to where the helicopters pick them up.

The armed resistance is increasing, though, and we can see an armed man leading a couple others with RPGs. Finding a view from below, he instructs them to shoot at one of the helicopters. The Americans inside see the RPG, but not before the tail is hit. A burst of flame and smoke pours out of the tail as the helicopter starts spinning around. Inside, alarms are beeping. Back at the command post, we can see the man in charge of the American’s mission stand up as he watches a screen with the smoking helicopter.

“Wolcott’s bird is hit,” we can hear someone saying.

Down below the American soldiers look up in disbelief as the helicopter continues to spin out of control.

“Super six-one is going down,” we can hear one of the soldiers saying.

Inside the helicopter, the pilot yells at the other men to hold on. Alarms continue beeping as he tries to control the ‘copter. The spinning helicopter manages to make it to a clearing between buildings before it crashes in a huge plume of smoke and dirt.

The true story behind that scene in the movie Black Hawk Down

That sequence comes from the 2001 film directed by Ridley Scott called Black Hawk Down, and it depicts an event that really did happen this week in history when not one, but two Sikorsky UH-60 Black Hawk helicopters were shot down on October 3rd, 1993, in what we now know as the Battle of Mogadishu.

Or, I guess, because of the movie and the book it’s based on it’s also often referred to simply as the “Black Hawk Down Incident.”

What we didn’t get to hear in the brief description leading up to the events of October 3rd was the reason the American soldiers were there that day.

In a nutshell, Somalia had just had a military coup by a group called the Somali National Alliance, or SNA, led by a man named Mohamed Farrah Aidid. Soon after, the United Nations launched an operation to offer food and relief supplies to the country’s affected citizens. So, from an overall perspective, that’s why the American soldiers were there as a part of the United Nations’ mission.

The mission for that particular day, October 3rd, 1993, was to try and capture some of the SNA’s senior leadership. If you recall, the movie shows a building with the word “Olympic” on it. That would be a point for the movie’s historical accuracy, because it is true that intel had placed some of Aidid’s leadership in a building near the Olympic Hotel.

The movie also got the timing right.

By 3:40 PM, the four helicopters we see at first in the movie arrived. The movie doesn’t say exactly what they are, but they’re Boeing MH-6 Little Bird light helicopters. Their purpose that day was to carry rockets and ammo while authorized to kill any SNA soldiers who shot at them.

Down below, the noise of the helicopters had alerted Somalis in the city of their presence. The Americans’ mission was all about speed and by 4:00 PM, the Delta Force commandos had completed their mission and successfully captured 24 of Aidid’s senior leadership.

“Laurie” was the code word given to let everyone know the prisoners were secured and it was time to go home.

And just like we see in the movie, that’s when everything went wrong for the Americans when an RPG hit one of the Black Hawk helicopters. That was at 4:20 PM, so not long after the prisoners were secured.

In the movie, we hear them talking about Super Six-One, which is true because that was the designation for the MH-60 Black Hawk helicopter that was shot down.

All of a sudden, the mission wasn’t just about getting out of there with the prisoners anymore. They had to rescue the soldiers in the downed helicopter. While most didn’t know it yet, both pilots had already been killed in the crash and a couple other soldiers were badly wounded. The remaining two soldiers inside set up to defend their ground until help came.

Oh, and one of those pilots was who we heard mentioned in the movie when they’re referring to “Wolcott’s bird.” That would be Chief Warrant Officer 3 Clifton Wolcott, one of the pilots of Super Six-One who was killed in the crash.

The line of Humvees we see in the movie were tasked with making their way to Super Six-One, while one of the smaller helicopters we saw in the movie, an MH-6 Little Bird, went to cover the crash site until the ground forces could get there.

But that posed a logistical problem because even though the helicopter crashed about 300 yards from the target building, the forces on the ground couldn’t see that. So, they asked for help from the helicopters still in the air and slowly made their way in the direction of the crash site.

Another Black Hawk designated Super Six-Eight was sent to the crash site. While the rescue team was rappelling from Super Six-Eight, that helicopter was also hit by an RPG. It didn’t crash, thankfully, but it was forced to return to base.

Another Black Hawk, Super Six-Four, went to the crash site to help both support the soldiers on the ground while also giving a visual indicator to the troops trying to find the crash site from below.

Things went from bad to worse when, at 4:40 PM, Super Six-Four was hit by an RPG, sending it crashing down into some buildings below.

There were now two crashed Black Hawk helicopters. It was the start of what would be a 15-hour rescue mission that would leave 80 American soldiers wounded, 18 American soldiers dead and an estimated 1,000 or more Somali fighters killed.

As you can tell, there’s a lot more to the story of what happened on October 3rd and 4th, so if you want to take a deep dive into the true story, scroll back to episode #105 of Based on a True Story where we covered the movie Black Hawk Down.

If you just want to watch the movie, of course, we started our segment about 43 minutes into the movie, but really, pretty much the entire movie takes place this week in history.

 

Historical birthdays from the movies

This week there are two historical birthdays on Wednesday!

Starting with Paul Ludwig Hans Anton von Beneckendorff und von Hindenburg, who was born on October 2nd, 1847, in the city of Posen in the Kingdom of Prussia—today that’s in Poland.

Paul von Hindenburg was remembered in history as the man who led the Imperial German Army during World War I and then became the President of Germany who proposed Adolf Hitler become the chancellor. Hindenburg remained the President until his death when Hitler dissolved the office of the president so that he could take those powers, too. Because of his association with World War I and Hitler, Von Hindenburg has been portrayed in a lot of movies and TV shows, but if you haven’t seen it yet then I’d recommend the two-part TV miniseries called Hitler: The Rise of Evil. In that series, Von Hindenburg is played by the great actor Peter O’Toole.

Or if you want something more focused on entertainment and not quite as historically accurate, Hindenburg is played by Rainer Bock in the 2017 Wonder Woman movie.

Also on October 2nd but in the year 1869, Mohandas Karamchand Gandhi was born in Porbandar, India. Better known as Mahatma Ghandi, he was born in British-controlled India and was a lawyer and activist who was influential in leading India toward a peaceful independence from British rule. Probably the most popular movie portraying Ghandi’s life is the 1982 film from Richard Attenborough simply called Ghandi where he was played by Ben Kingsley.

On October 5th, 1902, Ray Kroc was born in Oak Park, Illinois. Ray was best known as the businessman who bought a fast-food company from the McDonald brothers in 1961 and turned it into the McDonald’s brand we all know today. That story was told in the 2016 movie called The Founder where Ray Kroc is played by Michael Keaton. We compared that movie with history back on episode #90 of Based on a True Story.

 

‘Based on a True Story’ movie that released this week

Tuesday this week marks the 14th anniversary of David Fincher’s biographical drama about the founding of Facebook. In The Social Network, we follow Jesse Eisenberg’s character of Mark Zuckerberg as he’s a Harvard University student back in 2003.

According to the movie, he’s dumped by his girlfriend Erica Albright, played by Rooney Mara, and in response to the breakup he creates a website called “FaceMash.” That website basically lets Harvard students compare and rank the attractiveness of female students, and it’s an instant hit—so much so that it lands Zuckerberg in trouble with the university administration.

Inspired by the success of “FaceMash,” Zuckerberg decides to create a social networking site for Harvard students, which he calls “The Facebook.”

Meanwhile, we meet two other students named Cameron and Tyler Winklevoss. The identical twins are both played by Armie Hammer in the movie, and they approach Zuckerberg with an idea for their social networking site, “Harvard Connection.” Zuckerberg agrees to help them but instead uses their concept as a foundation for his own project.

“The Facebook” quickly expands to other Ivy League schools and eventually spreads to universities across the country. Eduardo Saverin, played by Andrew Garfield, is Zuckerberg’s best friend and co-founder of Facebook. He serves as the company’s CFO, providing the initial funding for the venture. However, tensions arise between the two as the platform grows in popularity.

Sean Parker, portrayed by Justin Timberlake, enters the picture as the co-founder of Napster and becomes involved with Facebook. Parker convinces Zuckerberg to relocate the company to Silicon Valley and pursue aggressive expansion, leading to a rift between Zuckerberg and Saverin. Eventually, Saverin’s shares in the company are diluted, and he is effectively pushed out of the business.

The film is framed by two lawsuits filed against Zuckerberg. The first is from the Winklevoss twins, who claim that Zuckerberg stole their idea. The second is from Saverin, who sues Zuckerberg for diluting his shares in the company. These legal proceedings are interspersed with flashbacks to the creation and rise of Facebook.

As the lawsuits are settled, the film concludes with Zuckerberg alone, refreshing his Facebook page while awaiting a friend request acceptance from his ex-girlfriend Erica. The movie ends with text stating the outcomes of the lawsuits: the Winklevoss twins received a settlement of $65 million, and Saverin’s name was restored to the list of Facebook’s founders.

The true story behind The Social Network

So, that’s all from the movie’s version of events.

Shifting from the fiction and into the fact-checking, I’m sure you already know who Mark Zuckerberg is, and maybe you’ve heard of the Winklevoss twins. Erica Albright, Eduardo Saverin, Sean Parker…those are all real people, too, and the movie does a pretty good job of setting up who they are in the true story.

The movie is also correct to show Mark Zuckerberg setting up a website called “FaceMash” that was basically comparing two women side-by-side and letting users vote on which one was more attractive. While the movie doesn’t really focus on this, in the true story Mark Zuckerberg based his “FaceMash” website that he built in 2003 on a website from 2000 called “Hot or Not” that, well, is pretty self-explanatory on what it did.

While Tinder didn’t come around until 2012, a lot of people have compared that style of swiping left or right as the same as concept. Except, of course, Zuckerberg’s “FaceMash” website only included voting for women.

To get photos of students for his own website, Zuckerberg hacked into the Harvard student directories. Those directories were called “facebooks” – so you can get a sense of where the name came from. You can also get an idea for how happy students were when they found out their photos were on FaceMash without their permission. He launched FaceMash on October 28th, 2003, and the movie is correct to show that almost immediately it was both very popular—and also something that Zuckerberg got into huge trouble over.

After all, he had used photos without permission and used them to objectify women without their consent. People considered it both a violation legal copyright infringement, as well as just being ethically immoral.

Zuckerberg managed to avoid getting expelled, and shut down FaceMash after just three days.

In the movie, we see the lesson Zuckerberg learned from this was to find a way to get people to give their photos and information for free. That’s where, according to the movie, the Winklevoss twins’ idea of “The Harvard Connection” comes in.

And that’s basically correct, because as Zuckerberg was facing the repercussions of FaceMash, enter the Winklevoss twins, Cameron and Tyler, along with another student named Divya Narendra. He’s played by Max Minghella in the movie.

And it is true that those three worked on a new networking website they called “The Harvard Connection” back in late 2002, and into 2003. When Zuckerberg’s whole FaceMash debacle made him a name on campus, Narendra and the Winklevoss twins asked Zuckerberg if he’d join their project as the lead developer for “The Harvard Connection.”

The idea they had for “The Harvard Connection” was basically to be a social networking platform online for Harvard students—with an eventual plan to grow beyond Harvard—it was eventually renamed “ConnectU.”

So, that’s how Mark Zuckerberg got involved in what was then The Harvard Connection. At the same time as he was helping them, he also recognized the idea of a social networking platform was the perfect way to get people to upload their information into his own platform—the next “FaceMash,” so to speak.

And so it was that, on February 4th, 2004, Zuckerberg launched a new website he called “The Facebook” after Harvard’s internal directories. This time, though, he wasn’t hacking the directories to get information. He allowed users to upload their information to share with others. And so, the concept of what we know as Facebook now was born.

The Facebook started getting popular fast—and the movie is also correct to show that the Winklevoss twins and Narendra were not happy when they found out about Zuckerberg’s new website. After all, it was basically what they were wanting to do! On top of that, they also felt like Zuckerberg was slacking on developing their platform while working on his own competitor.

We see that in the movie, but to get a better understanding, it’s helpful to know the timeline of it all.

So, if you recall, it was at the end of October in 2003 that FaceMash was shut down. In November of 2003, Narendra and the Winklevoss twins asked Zuckerberg to help with their project. He agreed. Then, on February 4th, 2004, Zuckerberg launched The Facebook on his own while still developing The Harvard Connection. It took a few months, but as The Facebook got more popular, around May of 2004, the rest of The Harvard Connection team found out about The Facebook.

Well, I guess technically by then they had rebranded from The Harvard Connection to ConnectU in the hopes of expanding beyond Harvard.

In September of 2004, ConnectU officially filed a lawsuit against Zuckerberg claiming he stole their ideas to start Facebook. In return, Facebook filed a lawsuit against ConnectU in 2005 claiming they stole Facebook’s web design for ConnectU.

As you can imagine, the lawsuits didn’t make either side happy for quite some time…until, in 2008, they finally agreed on a settlement that saw Facebook handing over about $20 million in cash as well as over a million Facebook shares—another $45 million or so in valuation at the time.

At the time of the settlement in 2008, Facebook was worth about $15 billion dollars, thanks in no small part to an October 2007 investment from Microsoft of about $240 million for 1.6% of Facebook.

Oh! And I didn’t even mention Justin Timberlake’s character, Sean Parker.

It is true that Sean Parker was the very first president of Facebook.

It’s also true that he’s the same guy who founded Napster, although the movie focuses more on Facebook so it doesn’t really tell that part of the story.

In a nutshell, the true story for Sean Parker’s involvement started years earlier back around the turn of the century in 1999 when Parker and his partner Shawn Fanning launched the file-sharing service they called Napster—named after Fanning’s high-school nickname. Both Parker and Fanning were still teenagers when they launched Napster, after all. And that gives you a little insight into Sean Parker, because he didn’t go to Harvard like Mark Zuckerberg did.

In fact, Sean Parker never went to any college. At 16, he won a tech fair by developing a web browser. That was back in 1995, and Netscape Navigator launched in 1994, so the idea of a web browser was still new at the time—and that win earned him an internship at a company called FreeLoader. That was the first company started by Mark Pincus, who you might know as the guy who started Zynga. You remember FarmVille and Words with Friends?

So, that’s who Sean Parker worked for throughout high school. As Sean said in an interview for Forbes, “I wasn’t going to school. I was technically in a co-op program but in truth was just going to work.”

He also said he made about $80,000 that year which, adjusted for inflation, is about the same as $150,000 today. So, his parents were okay with him not going to college.

And that’s what he was doing when he met Shawn Fanning on a dial-up bulletin board. Together, the two built and launched Napster in June of 1999. It gained popularity to help infuse them with some investment money, but they also started to run into legal troubles. That part of the story comes from the band Metallica. They had a song called “I Disappear” on the Mission Impossible 2 soundtrack that showed up on Napster before it was officially released.

In April of 2000, they officially filed a lawsuit against Napster, followed soon by other musicians like Dr. Dre as well as the RIAA overall.

The tricky part to all this, though, is the way Napster worked isn’t by hosting the files themselves. If you’re familiar with BitTorrent, that’s a technology that came out in the wake of Napster and works basically the same way. When you installed Napster, it’d scan your hard drive for any MP3 files—technically you could do more than just MP3s as Napster’s software evolved, but MP3s and music was its focus. So, it’d scan for MP3s and create an index of the files you had on your computer. Then, someone else could request that file and Napster would transfer it from your computer to theirs.

The concept is called peer-to-peer, and what that meant is that Napster didn’t actually store the files themselves. So, when they were hit with lawsuits to remove all the copyrighted files—they couldn’t really do that. Napster was forced to cease operations in 2001 and filed for bankruptcy in 2002.

Of course, as is often the case for tech companies, other companies buy up their assets and branding. So, as a little side note, if you look up Napster today—it still exists, or maybe it’s better to say it exists again, because it’s a completely legal streaming service now.

So, in 2002, Parker started up a new company called Plaxo. It was basically a souped-up address book in Microsoft Outlook, but at the time it was also a precursor to social networking. Parker was forced out of Plaxo by investors in 2004, so when he saw “The Facebook” as it was called then on his girlfriend’s computer while she was a student at Stanford and immediately saw the potential.

Thanks to Sean’s past with Napster, he had connections with investors and helped bring on Peter Thiel as one of the first outside investors for Facebook. If that name rings a bell, it’s because he co-founded PayPal alongside Elon Musk, which he was also the CEO of until they sold to eBay for $1.5 billion in 2002.

So, around 2004, Thiel was flush with cash and invested $500,000 for about 10.2% of the company. He sold all those shares in 2012 for about $1 billion, although he’s still on the board—actually, there’s a Wall Street Journal article from 2019 that I’ll link to in the show notes if you want to read about some of the controversy swirling around him and his pressuring of Facebook not to fact-check political ads.

And I’m sure you’ve seen the aftermath of those decisions as Mark Zuckerberg was called to testify before Congress in April of 2018 about Facebook’s role in the election.

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